2018 Exhibitor Images: Tribal and Textile Show
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Keturah Zimran, "Puli Puli" (Stones), 2016
Acrylic on linen, 152 x 121 cm Part of the special exhibit 'Power and Colour - An Introduction to Aboriginal Art: Celebrating the Artists, Their Communities, and Culture' on view at the 32nd Annual San Francisco Tribal & Textile Art Show -- Courtesy Ikuntji Artists, Haasts Bluff NT
Installation View of Australian Aboriginal Ghost-Net Sculptures
Part of the special exhibit 'Australia: Defending the Oceans' - on view at the 32nd Annual San Francisco Tribal & Textile Art Show
Ceremonial Mask, Early 20th century
Kenyah Dayak culture. East Kalimantan, Borneo Island, Indonesia. Courtesy of Mark A. Johnson Tribal Art, California
Pre-Columbian Dog, Colima Culture, Mexico
Slip painted ceramic ca. 300 BC - 300 AD This stunning ceramic pre-Columbian dog, very likely depicting the ancestors of Peruvian Hairless dogs, is an unusual work because the pup is obviously eating an ear of corn with relish rather than the more common pottery versions which depict dogs guarding or carrying the corn. Valued as household pets and guards, Colima dogs were also important as spirit guides, helping their owners find the path to heaven after death. Ex. Private Collection Courtesy Powers Fine Art, Los Angeles, CA
During the 19th century, the central medallion format, complete with complimentary corner pieces, was generally a design of large, formal workshop carpets. The nomadic weaver of this Afshar rug was inspired by the classic layout, but transformed it with her native, vibrantly colorful aesthetic. She dispensed with the classical formality, and instead focused on the purity of naturally derived color and added charmingly drawn animals to roam the indigo field. This rug exemplifies the true spirit of Afshar weaving. Courtesy of Peter Pap Oriental Rugs, San Francisco, CA
Kimono designed by Bounkhong Signavong, Laos
Emerald Green Kimono Hand-spun cotton and silk, naturally dyed indigo, with light emerald green silk collar and lining, interior pockets. 32”x33” On offer from Lao Design at the 2018 San Francisco Tribal & Textile art show Photo courtesy Vincent Caruso
Silk shawl designed by Bounkhong Signavong, Laos
Naturally dyed yarn, hand-woven on traditional Lao loom with supplementary weft, contemporary geometric design in gold, yellow and ivory. 90”x34” On offer from Lao Design at the 2018 San Francisco Tribal & Textile Art Show Photo courtesy Vincent Caruso
On offer from Lao Design at the 2018 Tribal & Textile Art Fair
Carved Sarimonok (Sacred Rooster), Phillippines
Maranao culture. Mindanao Island, Philippines. Wood, pigments. H: 48" (122 cm), L: 36" (91.4 cm), W: 50" (127 cm). Early to mid 20th century. According to the folk belief of the Maranao people, coming from their current Islamic traditions, the Sarimonok represents a giant rooster which the Profit Mohammad encountered in heaven. It likely relates to a pre-Islamic tradition that the bird figure represents a medium that could communicate messages to its twin in the spirit world. Today, this folk tradition is no longer widespread, but the Sarimanok is celebrated as a symbol of the Maranao people, often displayed at public events. This assemblage is the largest example that I am aware of and in very good condition. On offer from Mark A. Johnson Tribal Art, California, at the 2018 San Francisco Tribal & Textile art show
19th-century Trade Shell Necklace
Africa, ca. 1800s Trade shells and hand stitched leather Average shell:1.75" diameter; Necklace length: 18" On offer from Jewels Arts, Marrakech & Santa Fe, NM at the San Francisco Tribal & Textile Arts Show
Coral and Gold Beaded Necklace
19th century, Morocco Coral beads and Berber gold headdress charms hand woven cord. Average gold charm: .75"; Necklace length: 18.25" On offer from Jewels Arts, Marrakech & Santa Fe, NM at the San Francisco Tribal & Textile Arts Show
Kotoko, Chad Equestrian figure Copper alloy, H. 6.5cm The "Kotoko Equestrians, Guardians of the soul " miniature bronze figurines- talismans bearing the horse and rider motif, featuring stylist versatility and strong symbolic meaning in the culture of the African Kotoko people. Similar to amulets worn around the world believed to bring good luck or blessing of the gods. "Kotoko Equestrians" are personal items most often worn as pendants on necklaces or bracelets, which represent a source of spiritual strenght for their owners. On offer at the 2018 San Francisco Tribal & Textile Art Show; courtesy Sisi Tatu, Belgium
Mali “Djenne” Bronze W. 10.5cm x H. 10.5cm Documentation: African Forms, p.253 On offer at the 2018 San Francisco Tribal & Textile Art Show; courtesy Sisi Tatu, Belgium
Ceremonial Ma'wa Textile, Indonesia
Toraja. Sulawesi Island, Indonesia. Hand painted natural pigments on cotton base. L: 85" (216 cm), W: 32.5" (82.6 cm). 19th to 20th century. With Tree-of-Life motif "Kain Pohon Kehidupan" On offer from Mark A. Johnson Tribal Art, California, at the 2018 San Francisco Tribal & Textile art show
Fachralo Kazak Rug, Southwest Caucasus Circa 1875 7'10" x 5' 8" (239 x 173cm) Original Condition
Textile, Lampung, South Sumatra, Indonesia
These intricate, elaborate skirts are hand dyed and hand woven by women to wear during important ceremonies. First woven and sewn into a large rectangle, the sides were then joined to create a tube for the woman to step into and wear as a sarong. Due to Lampung's position along major maritime routes and their own production of desirable trade goods, such as pepper and gold, the women of Lampung had ready access to a variety of iconography from other cultures and a wide range of trade materials. This wealth is on display here with the imaginative use of silk, cotton, mica and gold. The skills necessary to create these tapis gradually diminished during the early part of the twentieth century and were extinguished completely during World War II. Courtesy Peter Pap Oriental Rugs, San Francisco, CA
Man’s Jacket with protective animal motifs, created with attached shells. Iban Dayak. Sarawak State, Borneo Island, Malaysia. 19th century. Courtesy of Mark A. Johnson Tribal Art, California
Pacific Northwest Courtesy Kim Martindale, Los Angeles, CA
Warlukurlangu Artist Centre painter Murdie Morris at work
Part of the special exhibit 'Power and Colour' - An Introduction to Aboriginal Art: Celebrating the Artists, Their Communities, and Culture, on view at the 34th Annual San Francisco Tribal & Textile Art Show
Kathleen Kngale, Untitled, 2010
Acrylic on linen, 90 x 152 cm Part of the special exhibit 'Power and Color - An Introduction to Aboriginal Art: Celebrating the Artists, Their Communities, and Culture', on view at the 32nd Annual San Francisco Tribal & Textile Art Show --- Courtesy Delmore Gallery, Utopia NT
Julie Robertson, "Ngapa Jukurrpa" (Water Dreaming), 2017
Acrylic on linen, 183 x 122 cm Part of the special exhibit 'Power and Colour - An Introduction to Aboriginal Art: Celebrating the Artists, Their Communities, and Culture', on view at the 32nd Annual San Francisco Tribal & Textile Art Show -- Courtesy Warlukurlangu Artists, Central Desert NT
Acrylic on linen, 183 x 11 cm Part of the special exhibit 'Power and Colour - An Introduction to Aboriginal Art: Celebrating the Artists, Their Communities, and Culture', on view at the 32nd Annual San Francisco Tribal & Textile Art Show -- Courtesy Ninuku Arts, APY Lands SA
Murdie Morris, "Malikijarra Jukurrpa" (Two Dogs Dreaming)
Acrylic on linen, 152 x 121 cm Part of the special exhibit 'Power and Colour - An Introduction to Aboriginal Art: Celebrating the Artists, Their Communities, and Culture', on view at the 32nd Annual San Francisco Tribal & Textile Art Show -- Courtesy Warlukurlangu Artists, Central Desert NT
Jakayu Biljabu, Untitled, 2016
Acrylic on linen, 106 x 152 cm Part of the special exhibit 'Power and Colour - An Introduction to Aboriginal Art: Celebrating the Artists, Their Communities, and Culture', on view at the 32nd Annual San Francisco Tribal & Textile Art Show -- Courtesy Martumili Arts, Western Desert NT
Veracruz, Atlantic Coast, ca.550-950 AD 22.5 x 5.5 inches On offer at the 2018 San Francisco Tribal & Textile Art Show, courtesy of Splendors of the world, Haiku, Hawaii
"Theater Urn" Style Monumental Incensario
Maya, Quiche, Guatemala, ca. 550-950 AD Urn depicts a Teotihuacan Mask center, Owl Heads & Mica inlaid Sun Disks above 25 x 15 inches On offer at the 2018 San Francisco Tribal & Textile Art Show, courtesy Splendors of the World, Haiku, Hawaii
A silver-gold alloy group of miniatures with remains of turquoise inlays, depicting a ruler in the center flanked by 2 Jaguar-Headed Warriors holding Shields & Clubs. Mochica Culture, North Coast Peru, Ca. 100-500 AD; size: H: 2in On offer at the 2018 San Francisco Tribal & Textile Art Show; courtesy Dorje Strunk
Ngaju Dayak culture, Central Kalimantan, Borneo Island, Indonesia. ca. 19th to early 20th century. Wood On offer from Mark A. Johnson Tribal Art, California, at the 2018 San Francisco Tribal & Textile art show
